At the very beginning, the choice of shooting the work of Oscar Niemeyer happened without plans or schedules. It was because photographer Jorge Sato’s admiration for his work and his desire to interact with architect’s brilliant creations. A visual interaction deeper than just revealing those fantastic constructions in a traditional way. Sato’s goal was to transport his work to an oniric and mysterious reality. A singular universe based on introspection and imagination.

To achieve that, Jorge Sato used analogue lo-fi plastic cameras that are well-known for their technique limitations, instability and for unique aesthetic. Not having total control over the image and leaving room for the aleatory were part of the process to reach singular results. Sato believes in the beauty of randomness.